, - .
- :
[SPOILER][QUOTE]8 Days In April
1972 - The Hamburg Scene
Alcatraz
1971 - Vampire State Building
Amon Duul
1969 Psychedelic Underground
Amon Duul II
1972 Carnival In Babylon
1972 Tanz der Lemminge
1972 Wolf City
1973 BBC In Concert Plus (Live)
1973 Utopia
1974 Viva La Trance
Can
1969 - Monster Movie
1971 - Tago Mago
1972 - Ege Bamyasi
1973 - Future Days
1974 - Soon Over Babaluma
1975 - Landed
Dzyan
1972 - Dzyan
1973 - Time Machine
1975 - Electric Silence
Embryo
1973 - Steig Aus
Faust
1971 Clear
1972 Faust So Far
1973 BBC Sessions +
1973 IV
1973 The Faust Tapes
1995 Rien
1996 71 Minutes Of
1996 You Know Faust
1997 Faust Wakes Nosferatu
Gila
1971 Free Electric Sound
Guru Guru
1970 - UFO
2002 - Essen 1970 (Live)
Hoelderlin
1977 - Rare Birds
Kollektiv
1973 - Kollektiv
Kraan
1972 - Kraan
Kraftwerk
1974 - Autobahn
2003 - Tour De France Soundtracks
Necronomicon
1972 - Tips Zum Selbstmord
Neu!
1975 - Neu!75
1995 - Neu! 4 (Recorded October 1985 - April 1986)
Novalis
1973 - Banished Bridge
1975 - Novalis
Popol Vuh
1971 - In den Garten Pharaos
1975 - Das Hohelied Salomos
( .):
acid rock . , Dawn Defender ( ) 1976 , , .
Tony Robinson Pyramid label.
"" krautrock , .
the Cosmic Jokers () A.R & the machines.
p.s. the Cosmic Jokers A.R & the machines.
The Cosmic Jokers
[SPOILER]Biography
The COSMIC JOKERS is not really a band but a reunion of several German musicians and personalities from the 70s psychedelic and esoteric philosophies. producer/label owner Rolf Kaiser-Ulrich had begun to explore psychedelia more seriously after the success of this music in the US and UK. He began a sub-label called Kosmische-Kouriers to sign new acts in Germany. It was meant to be an extremely open project with different musicians playing on each others records from the get go. Much of it was in keeping with the protest movement in the youth counter-culture of West Germany at that time. The interest of this side project was to create a cosmic music with a virtual musical tribe to develop the world consciousness thanks to LSD. The label and roster of artists idea never really happened. This later became a huge fiasco. The cosmic musical team gathered around the message of a bunch of well known rock musicians from the Berlin scene (mainly Klaus Schulze, Manuel Gottsching, but later many others). The first (REAL)album released under Rolf Kaiser-Ulrichs drug inspired philosophy was Ash Ras Seven Up with the guru of acid test Tim Leary. In 1972, Kaiser-Ulrich produced two others albums with personalities from the underground psychedelic movement. There was the late mystic, esoteric writer Sergius Golowin (on recitations for the cosmic/psych folk project Lord Krishna) and the Swiss gypsy/folk artist Walter Wegmuller for the project around the symbolism of Tarot cards. Wegmullers Tarot, released in 1973, became a landmark album. The years 1973 and 1974 saw the release of the new band-The Cosmic Jokers. A number of releases followed including Planeten Sit-In, Galactic Supermarket, and The Cosmic Jokers. The mostly improvised songs build around the talented Manuel Gottschings psychedelic electric guitar. Also, notable is Jurgen Dollase on piano and of course, Klaus Schulze. All moving in rhythm to the heavy drumming of Harald Grosskopf. A host of other musicians make appearances. The music is for a large part improvised with proto-electronic gadgets combined to spacey musical sentences. This is real German acid music, a music of paradise, transcending music, breaking of the materialistic world, a protest against the reality. The combination of acid, music and fun acted as a catalyst for Kaisers visionary powers. [/SPOILER]
A.R. & Machines
[SPOILER]Located in Hamburg, Germany, A.R. & Machines was a krautrock band fronted by Achim Reichel. He was originally in the Rattles, a German Beat-era, group. But with A.R. & Machines he ventured into progressive territories with his trademark echo-guitar. They released their first album in 1971 (Die Grüne Reise), other notable albums include 1972s Echo and A.R. IV (1973).[/SPOILER]
:
[SPOILER]
Kollektiv plays a rather avant-garde music inspired by both elements of psychedelic music, electronics combined with Jazz interfits. The band was originally composed of Jogi Karpenkiel (bass) who joined the band The Phantoms, an utterly pop band who changed their name to become the Rambo Zambo Bluesband, Bluesology and finally Organisation. Jogi Karpenkiel and Klaus Dapper (tenor/baritone/soprano saxes, flutes) got out of Bluesology to form the band The Generals, which will later change their style and will finally start to be known as Kollektiv when both Waldemar Karpenkiel (drums) and Jürgen Havix (guitar, sitar) joined them to form the definitive lineup.[/SPOILER]
[SPOILER]One of the most original and innovative Krautrock bands, Embryo fused traditional ethnic music with their own jazzy space rock style. Over their 30-year existence, during which Christian Burchard has been the only consistent member, the group has traveled the world, playing with hundreds of different musicians and releasing over 20 records.
Originally a jazzy space rock group, Embryo was formed in 1969 in Munich, Germany, by former R&B and jazz organist Christian Burchard (vibraphone, hammer dulcimer, percussion, marimba), Edgar Hofmann (saxophone), Luther Meid (bass), Jimmy Jackson (organ), Dieter Serfas (drums, percussion), Wolfgang Paap (drums), Ingo Schmidt (saxophone), and John Kelly (guitar). However, the lineup was already different by the time of the sessions for their debut album. The resulting record, Opal (1970), is considered the bands masterpiece of their early, more psychedelic sound. By the time of Embryos Rache (1971), the group was already adding ethnic touches to their music.
In 1972, the same year they played at the Olympic Games in Munich, Embryo was invited by the Goethe Institute to tour Northern Africa and Portugal. In Morocco, the band was fascinated by the different tonal scales used by Moroccan musicians, profoundly shaping the groups music to come. In 1973, the band was joined by saxophonist Charlie Mariano and guitarist Roman Bunka, who were both influential in moving Embryo towards their genre-blending mixture of space rock with ethnic sounds. We Keep On, released in 1973, was the most successful album in the groups career. However, after Surfin (1974) and Bad Heads and Bad Cats (1975), Burchard decided the band was moving in too commercial a direction and led them on an eight-month excursion to India, where they met local musicians. Shoba Gurtu, an Indian singer the band met during their travels, would later record an album with them, 1979s Apo Calypso. Embryo also set up their own record label, Schneeball, with the rock band Checkpoint Charlie during this time. The band then took off on a two-year journey through the Middle East, India, Pakistan, and Afghanistan, during which the bands bus broke down in Tehran in the middle of a civil war in 1981. The double album Embryo Reise (1981) captured this musical expedition as did the documentary film Vagabunden-Karawane. A
fter touring Asia, the Middle East, and Egypt during the early 80s, Embryo released their first studio album in seven years, Zack Gluck, in 1984. The band then toured Africa and became involved with Nigerias Yoruba Dun Dun Ensemble. However, after internal conflicts, Embryo split up. Burchard then continued under the name of Embryo with new musicians while a new group, Embryos Dissidenten, was formed. The band released 2001 Live: Vol. 1.[/SPOILER]
27.03.2009, 15:29
Deel
[QUOTE=;107939] ,, , , ? , , ! , , .[/QUOTE]
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29.03.2009, 16:44
Deel
, 2 .Boris OM .,, . :)
30.03.2009, 19:55
- [url]http://hdd.tomsk.ru/file/hmbuvnpv[/url]
Shaa Khan, , :good: :)
!!!