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  • (1985)

    27 15.08%
  • (1985)

    21 11.73%
  • (1987)

    38 21.23%
  • (1987)

    27 15.08%
  • (1987)

    29 16.20%
  • !! (1987)

    25 13.97%
  • (1987)

    22 12.29%
  • (1988)

    26 14.53%
  • (1988)

    58 32.40%
  • (1988)

    17 9.50%
  • (1989)

    17 9.50%
  • (1989)

    26 14.53%
  • (1989)

    46 25.70%
  • - (1989)

    18 10.06%
  • (1989)

    17 9.50%
  • (1989)

    11 6.15%
  • (1989)

    23 12.85%
  • (1990)

    27 15.08%
  • -: (1990)

    56 31.28%
  • (1993)

    64 35.75%
  • (1997)

    41 22.91%
  • (1997)

    24 13.41%
  • (2002)

    21 11.73%
  • (2004)

    39 21.79%
  • (2005)

    36 20.11%
  • ? (2007)

    48 26.82%
.
15 80 ... 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 65 ...
421 450 2377

:

  1. #421

    23.04.2008
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  2. #422

    23.04.2008
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  3. #423
    "The Guardian":

    Yegor Letov

    Anti-establishment rock musician in his beloved Russia

    Mark Yoffe
    Wednesday April 23, 2008
    The Guardian

    Igor "Yegor" Letov, who has died of heart failure aged 43, was one of the leading artistic figures on the modern Russian cultural scene and a creator of Siberian punk rock. Even though he is mostly known as a musician, as leader of his band, Grazhdanskaia Oborona (Civil Defence), his influence spread into literature, performance art, politics, and all aspects of the counterculture. After the collapse of the Soviet Union, he became associated with dissident nationalist politics, again in opposition to the establishment, and a hero to disenfranchised youth.

    Born in Omsk, Siberia, into an intellectual milieu, Letov was one of the first in Russia to realise that the rock idiom can become a vehicle for poetic and literary discourse. Grazhdanskaia Oborona was formed in Omsk in 1984. From the start, Letov found himself in opposition to Soviet ideology, and most of his works from this period reflect that. His criticism of the regime was biting and satirical. His innovative poetry harked back to the works of the 1920s absurdists, Alexander Vvedensky and Daniil Harms. He borrowed popular sayings and proverbs but reworked them in a new, often shocking, way.

    Musically, Grazhdanskaia Oborona were atrocious. Letov mixed English punk influences with the melancholy vocalisations of Russian folk songs. Despite the music's quality, it became a perfect tool for relating Letov's social and philosophical musings, his political discontent and his almost physical pain for his beloved Russia.

    It was not surprising that in November 1985 the Soviet authorities accused the band members of being part of an underground terrorist organisation. Following that, Yegor spent three months in forced psychiatric confinement, without due process or trial.

    With his anti-Soviet cultural rebel credentials, Letov became one of the leading representatives of youth counter-culture, while the band enjoyed cult status among Soviet youth, particularly those from the industrial suburbs, the shell-shocked Afghan war veterans, and the disaffected. Pain and shame for Russia was always the main subject of his angry, dark and often witty songs.

    Then, in 1991, the Soviet Union came to an end, and Russia's counterculture found itself lost, as its main foe was finally slain. With this came probably the most dramatic and controversial period of Letov's creative life. In Boris Yeltsin's Russia of mafia-capitalism, Letov once again became part of the underground, and a leading voice of Russia's new anti-capitalist (and often anti-western) opposition.

    In the winter of 1993, following Yeltsin's bombardment of the Russian parliament, Letov joined a new anti-capitalist, nationalist youth movement called Russia's Breakthrough. He announced that he always believed in real communism, not the travesty of the Soviet regime. In an act of typical buffoonery, he joined forces with the National Bolshevik party (NBP).

    Because of the NBP's mercurial political platform of anti-western and pseudo-nationalist demagoguery, Letov was accused of being a rabid nationalist, and even antisemitic. Enormously popular among disenfranchised, and often nationalist-minded, youth, he himself always took the side of the underdog, including Jewish people.

    In 2001, Letov announced that he was leaving active politics and concentrating on his music. His last album, in 2007, Zachem Sniatsia Sny (What Dreams Are Seen For) is a not very convincing attempt to introduce new sounds and ideas to the band. To a great degree, Letov exemplified all that is both bad and great in Russian rock culture. If for nothing else, he will be remembered for introducing, through his songs, millions of Russian youth to the treasures of the 1920s Russian poetic avant garde.

    He is survived by his second wife, Natalya Chumakova, a bass guitarist in his band; his father; and his brother Sergey, one of Russia's leading avant-garde musicians.

    Igor "Yegor" Fyodorovich Letov, musician and songwriter, born September 10 1964; died February 19 2008

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  4. #424
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15 80 ... 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 65 ...

  1. : 41
    : 01.09.2012, 18:09
  2. : 2
    : 12.12.2009, 19:06
  3. : 5
    : 10.01.2009, 19:11
  4. : 92
    : 29.12.2007, 20:10
  5. : 1
    : 27.10.2007, 10:20

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